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發表於 2016-4-30 22:49:21
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Courtesy and hospitality of Thomas, I had a chance this afternoon to carry out direct comparisons in his place. My purpose was to find out whether I should replace both computer and DAC or just the latter, and to listen to another high end LP system.
I brought over my MacBook Pro and cheapie DAC to compare with his 4-piece Vivaldi and AirForce 1, 光悅頭+transformer.
All front end gear, his and mine are plugged into his Audio Research 40 anniversary pre-amp; Pass Lab mono amps driving Magico Project M speakers.
First to play 3 SACD tracks, each to A/B back and forth with my CAS tracks of the same recording. The tracks:
1. Dance of the Tumbler, Reference Recordings
2. Harmonica and Organ, 2L
3. House of the Rising Sun, Opus 3.
I won’t go into too much details. In general, the Vivaldi rendition has the soundstage extended some 2 to 3 feet behind the speakers all the way to the “back wall” which is basically glass window in arc shape. Sound is more delineated and condensed than mine. Ambience within the soundstage is cleaner. Mine has the soundstage forward, starting at the plane of the speakers. As for the first comparison track, the RR Dance…, the Vivaldi does not have the triangle and tambourine as loud and prominent as mine. But Thomas heard the Vivaldi having more trailing harmonics from these instruments. The second Organ track. The harmonica rendered by the Vivaldi is more focussed, whilst my CAS track has a larger hall sound. The third track displayed similar traits of the Vivaldi and mine as mentioned above.
So the next comparison is LP with my CAS; the track being High Life from Jazz at the Pawnshop 1. Thomas and I have different listening preferences.
Then it was education time for me. Thomas has numerous improvement gadgets that I am ignorant about. First his nulling vibration platforms. He switched each one off and on by turn. The one under the cartridge transformer, the one under the pre-amp, the one under the turntable. Each time the sound from the LP was clearer and tighter with it turned on. In addition to the platform, he also showed me the effect with or without suction being applied to the LP onto the turntable platter. Yes, knocking on different parts of the turntable and even the LP itself revealed the on/off effect as heard through the speakers.
Also the stabiliser, its effect with it on or taken off. Another surprise, the LP demagnetiser. The same LP sounded cleaner after it was demagnetised. This gadget even benefits red wine. Very clearly, the tannin is lessened after demagnetising, and the wine tasted smoother. Two glasses for A/B tasting and eventual demagnetising both to ensure the effect was real.
Several LPs were played; some I spotted recording issues. The best one was a 1993 recording by jazz singer Hosokawa.
A rewarding visit for me indeed, with gratitude to Thomas. |
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