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[黑膠系統] 美國Triangle Art 黑膠唱盤

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發表於 2016-7-19 15:30:04 | 顯示全部樓層 |閱讀模式
本帖最後由 Avantgarde-HK 於 2016-12-8 17:14 編輯

此乃Triangle Art的入門級唱盤, Concerto.  仍然是採用獨家研究出來的特殊金屬制造.  擁有獨特美妙的音色.  臂板與馬達採用分獨立分離設計, 使馬達, 傳盤在工作時所產生之振動不會互相干擾或傳到唱臂上.

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發表於 2016-7-20 07:52:55 | 顯示全部樓層
thanks for sharing, support
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發表於 2016-10-17 15:56:25 | 顯示全部樓層
Positive Feedback review by Dave Clark

Analog is the thing now. Well for many it has always been the thing, but for many others… it is the new thing. Nice. Great stuff on vinyl and for sure, if done right, it can be quite different than digital. I say different, as better, all depends on the mastering, pressing, quality, etc. I have a number of LPs where the digital trumps it in most ways: quieter for sure, but then that is what digital does; clearly way more extended and dynamic, but never quite as musically engaging. Even with all the detractions such as surface noise, warps, etc. Yeah, lots of fun for sure. And like digital, it can be never ending with one’s choice of cartridges, tonearms, cabling, VTA, mats, phonostages, and so on. Plus which table? What material for the platter, for the plinth? Direct or belt? Jeez.
Simple? Not happening.
So I am approached to review the basic table from Triangle Art. Their entry Concerto table comes in at an "affordable" $3995 and features machined chrome composite metal for, well, for everything: the platter, motor housing, and tonearm tower. You can get it in other colors if chrome is not your thing. I found it well done, but it is not really what we are into aesthetically. We tend to go for a more subdued look, though I guess our Transrotor Leonardo is also pushing that a wee bit, being primarily acrylic with some chrome here and there. The Concerto is all chrome. Fit and finish is quite good and the whole thing is made right here is SoCal. The table comes with a Jelco SA750 tonearm too. DSC00455-1024x683.jpg

Cool. All metal versus that of the Leonardo’c acrylic. For sure different materials impart a different sound. Platter? Yep. Plinth? Naturally? Arm tower? Of course. As many manufacturers as there are, one can find as many different materials and approaches to spin an LP. Each has its own characteristic… some more or less desirable than others. All needing to be balanced in a way to appreciate what it does… or does not do sonically to the spinning LP. Metal can be more lively than acrylic, which tends to be deader with less potential ringing, though it too can ring. The same applies to wood which will impart the sonic qualities based on the wood or woods one uses to make either a platter or a plinth. One can even make layers of different materials to either address weaknesses or maximize strengths of the primary material used for either. Often times it is a matter of preference, balance, or simply choice based on costs constraints and manufacturing realities. Ask five different turntable designers and you get five different answers. All are right. They are just different sonically. Find what works for you and chill.
So I say sure thing, as I am curious how much better tables may have gotten since we pulled the trigger on the Leonardo many a year ago, and like I said, acrylic versus metal. Pete Davey has the Triangle Art Signature with their Osiris tone arm and is quite happy. Hearing vinyl at his place is always stunningly engaging… so yeah man, bring it on over. DSC00450-1024x683.jpg

Well… I got more than I expected. What shows up with Tom Vu (owner and designer of Triangle Art) is not only the Concerto table and Jelco arm, but also a massively heavy chrome platform for the table ($1299) that I could not lift, the Zeus MC cartridge ($3995), the Crystal digital speed control which allows for speed control at the flip of a switch as opposed to the flip of a belt ($2000), and the Gold record clamp ($1200). Uh… my "affordable" table and arm just went from $3995 to $11,411! Tom, you’re killing me here! So now I am no longer reviewing a $3995 table but an $11,411 system. Oh well, what can a poor guy do here? Tom set everything up, requiring no assistance from me, and left post haste. The table is their demo unit so it was well run in, as was the motor control. The platform obviously needed no break-in—or does it…—but the arm and cartridge were both relatively new… and so Tom suggested 25 to 50 hours of music to get the pair settled in. Even so, he felt that since the cartridge had 10-15 hours of use at shows it should sound pretty decent at the get go. And yes, that it did. DSC00431-1024x683.jpg DSC00434-1024x683.jpg DSC00436-1024x683.jpg DSC00438-1024x683.jpg DSC00442-1024x683.jpg DSC00444-1024x683.jpg

Oh did I mention that the Concerto is a plinth-less table? Yeah, no plinth. The Concerto is a three-tower table of sorts with the platter sitting in one tower, the motor in a second, and the arm in a third. Meaning that the table needs to have a stable surface to sit on. Guess the kilo-ton base was helpful after all, though my Black Diamond Racing platform would have represented the late DJ Casser quite well.
I tossed the Cardas Break-In LP on the table for a day or so and then Carol and I let the LPs land as they might. Oh wait, to digress a bit here… my current phonostage is the two-box Heed Quasar which we simply love (HERE). Organic, musical, extended …oh sweet baby corn… the Heed plays music like nothing else at its price range. For sure it has a characteristic that defines it from other stages, and that is that it really does little to draw attention to itself. Which, while that sounds like a bad thing, it is actually a good thing… well a good different thing. The Heed just lets the music flow through. For sure there are more dynamic, resolving extended…yadda, yadda stages out there, but we love the Heed. And yet… in comes the phonostage from Channel D: the Lino. Now this is sonically different from the Heed in that the Lino comes across, well, differently. More oomph. More drive. More rock and anger. More angst. Yeah I get what the Lino is all about and how it reflects Rob at Channel D. He and I click when it comes to music and preferences and the Lino tells that story quite well.
Was not my intent to spend that much on the two phonostages (way more to come on the Lino) here, but for sure while this is about the Concerto system, the Lino and Quasar both had a serious role in what we experienced. And yeah, we get it. The Lino is like $1199 and the Quasar is $1200. So what are we doing using a phonostage that costs 1/10th that of a table? Uh, cause they work, and work well. Plus, it is what we own… all we needed at this point is to introduce another variable into the equation. Yeah, how about the $$$ phonostage to use too? No thanks.
So we toss on LP after LP and yeah, the Concerto rig is pretty cool. It gets the spirit and flavor of our music right. Speed, dynamics, pace, extension… quiet and stable. Nice. It is all there. For sure the music came across as being more lively than the Leonardo. The music simply had that swing and presence that made it propel us into long periods of LP after LP. Is it the metal used for the platter? For the platform? Is it the speed control? For sure those will, in and of themselves, get you more there THERE simply by the material used and how the Crystal digital speed control spinning the platter is that much more 'right on'than letting the DC motor do it all. More stable power, more stable music. And for sure the $3995 Zeus is doing what it does compared to the discontinued $2100 Shelter 901. The Shelter 901 is no slouch in respect, and excels in every way; we love it and what it does with our music, it is a natural with the Leonardo. Is it better than, or does the Zeus best it? Is the Transrotor as good as the Concerto or is the Concerto simply better? No way to tell really. But for sure we found listening to the Concerto system quite fun and engaging. Yeah, this set up rocks and gets the music across in every genre we could toss its way. DSC00450-1024x683.jpg

The two tables are different for sure. The Transrotor is more relaxed and less visceral than the Concerto rig—which could be more about the materials used in either than anything else. Of course: different strokes for different folks. Find what you like and go for it. Naturally, all of what we heard can be tailored to a great degree with swapping the Heed for the Lino… where the Heed reigns in the Concerto to something closer to that of the Transrotor, or by using the Lino with the Transrotor, which gives us much of the sonic perspective of the Concerto. On the other hand, the Lino compliments the drive and excitement of the Concerto to a wonderful degree making the two a perfect match, but only if your music and sonic preference calls for such a musical perspective.
For those who need the bits as opposed to whole… the Concerto did bass amazingly well with a clean and airy high end. Slam and oomph galore. Nice. And the Concerto was articulate and dynamic, it presented music with nothing that caused one to think anything was amiss. Way sweet.
In the end we found much to appreciate musically with the Concerto system. Yeah, it is a $12,000 package and for sure one could save money by simply going for the basic set-up sans the platform, speed control, and record clamp. I would be surprised if one experienced much of a drop off in musical pleasure and performance by omitting these from the system—the basic Concerto and Zeus cartridge are the centerpieces and these ancillaries are simply upping the ante. And such a wonderful centerpiece the Concerto is within this analog system. Sure, a turntable is nothing more than just a motor spinning a platter riding on a bearing with an arm and cartridge traveling in the groove of a record—sounds simple enough- but Tom did his homework and has a winner here. Well done! Highly recommended.
Triangle Art
http://triangleart.net DSC00453-1024x683.jpg DSC00473-1024x683.jpg
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發表於 2016-10-22 14:06:33 | 顯示全部樓層
這個Concerto 相當有音樂味,好厚聲,分析力也相當高。值得推薦!
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 樓主| 發表於 2016-11-1 12:25:55 | 顯示全部樓層
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The Beatnik’s 2014 California Audio Show Reports The Best Room Combining Vintage and Modern Sound
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發表於 2016-11-10 13:42:40 | 顯示全部樓層
品味之選 965418-triangle-art-concerto-turntable.jpg
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發表於 2016-11-21 16:23:59 | 顯示全部樓層

Triangle Art Concerto Turntable
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 樓主| 發表於 2016-12-8 17:26:23 | 顯示全部樓層
Triangle Art Signature Turntable


TriangleART Signature turntable uses the same key technology as its Reference model, including the motor, platter, and bearing technology.

Lighter than the massive 275-pound Reference SE model, Signature weighs 200 pounds.  Like Reference SE, Signature comes with a hefty solid composite metal with a 48-millimeter thick platter made of solid composite metal, used to control and dampen all vibrations for better resonance (more below). Non-inverted steel ball bearings support the heavy platter while still providing an intensely quiet and smooth as liquid performance. The jet-black background of this turntable reproduces every soft, inner details with subtle micro and macro dynamics, presenting a tight and articulate bass while projecting a holographic image and a light, airy sound stage.

Platter:

The embedded platter is made of a unique composite material, and is one of the largest in the marketplace. This 48-millimeter thick platter is implemented with new flywheel technology that controls its balance and vibration.

Bearing:

The 48-millimeter bearing runs on a thrust washer, and is made from stainless hard, shaft steel with a large ground radius. This special material has a very low coefficient of friction and very high wear resistance, resulting in a long, maintenance-free life.

Motor:

The heavy composite metal motor housing comes with a new interior AC to quietly drive that massive platter. With the inertia of the motor combined with the new design, it runs in complete silence. It also supports the platter to deliver consistent speeds – at either 33 rpm or 45 rpm.

Crystal Speed Controller:

The Crystal Digital Controller-Isolated Power Motor Drive, designed for all turntables, employees a 115v. AC motor to control the speed with precision and stabilize electrical power. The analog system is more friendly and convenient with the help of this controller. The simple touch on a switch provides the ease of speed, and the ability to control the change at will. Playing and listening to 45 rpm long plays is wonderfully enjoyable with the controller.
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 樓主| 發表於 2016-12-29 11:35:00 | 顯示全部樓層
Triangle Art Reference SE

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發表於 2016-12-29 12:20:43 | 顯示全部樓層
Avantgarde HK 代理了很多有實力的黑膠盤牌子。
可否在這裏淺談一下它們各個的特色和音質的不同之處呢?
這對 hiendy brothers 定會有用的。
謝謝!
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發表於 2019-12-6 19:13:36 | 顯示全部樓層
可惜現在冇做triangleart , 有意master reference
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發表於 2019-12-7 08:32:12 | 顯示全部樓層
pigwong 發表於 2019-12-6 19:13
可惜現在冇做triangleart , 有意master reference

A 200lbs monstor!  

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