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[黑膠系統] 日本IKEDA 唱頭唱臂

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發表於 2018-7-13 20:16:11 | 顯示全部樓層
想問問隻SAI幾錢?
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 樓主| 發表於 2018-7-15 09:52:41 | 顯示全部樓層
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 樓主| 發表於 2018-7-28 10:58:48 | 顯示全部樓層
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 樓主| 發表於 2018-8-18 09:04:20 | 顯示全部樓層
Ikeda IT-345 搭配 DS Audio DS-W2.  盡顯黑膠高品位一面.
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 樓主| 發表於 2018-10-3 13:53:00 | 顯示全部樓層
Ikeda 'KAI' 其中一個特別之處是其頂部的一塊與機身不同之物料.  有著底消不同頻率之共振, 另微細訊號更能釋放, 更穩定.  

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 樓主| 發表於 2018-10-12 13:29:50 | 顯示全部樓層
IKEDA IT-407
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 樓主| 發表於 2018-10-30 09:43:15 | 顯示全部樓層
Ikeda 9 Mono
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發表於 2018-10-31 06:38:26 | 顯示全部樓層
My 9TS
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 樓主| 發表於 2018-11-9 14:33:24 | 顯示全部樓層
幼細兼厚聲.  Ikeda 9TS
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 樓主| 發表於 2018-11-29 14:57:22 | 顯示全部樓層

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 樓主| 發表於 2018-12-14 11:30:55 | 顯示全部樓層
Ikeda 頭絕配升㱘牛 IST-201.  增益: 26db , 輸入範圍: 1-6 ohm
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 樓主| 發表於 2018-12-24 15:30:41 | 顯示全部樓層
Ikeda IST-201 升壓牛機殼非常重料.  所以特別寧靜.
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 樓主| 發表於 2019-1-9 14:45:48 | 顯示全部樓層
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Ikeda's new top model 9Gss 24k Gold limited edition. Only 200 are made of this and two of these are on their way to the motherland. This is the absolute world class dynamics and finesse!

Electromagnetic Generator        : Moving Coil (MC)
Output Voltage                        : 0.3 mVrms (1kHz 35.4 mm/sec. at 45° peak)
Coil Impedance                        : 3 ohms (1kHz)
Appropriate Stylus Force        : 2.0 grams ± 0.1 grams
Frequency Response Range        : 10Hz ~ 45kHz
Channel Separation                : Over 30 dB (1kHz)
Channel Balance                : Within 1.0 dB (1kHz)
Stylus Chip                        : Solid pure square
diamond Cantilever                : Boron
Weight                                : 14.0 grams|
Compliance                        : 10 x 10 -6cm/dyne
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 樓主| 發表於 2019-1-18 13:01:52 | 顯示全部樓層

The special IKEDA Blue Alumite housing is crafted from solid Aluminum alloy with buff finish.   
The Top of the cartridge is made of Titanium.
The Base of the cartridge to sustain the generator unit is made of Titanium.
The Cantilever is made of Boron to ensure proper delivery of oscillation.
Highly efficient Permalloy core, low impedance coils, ideally shaped magnet yoke and the generator unit embedded a samarium-cobalt magnet are further highlights of the new IKEDA KAI MC Cartridge design.

Each cartridge is hand assembled, precisely aligned and inspected one by one.

IKEDA KAI cartridge_0 (1).jpg
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 樓主| 發表於 2019-2-2 11:57:42 | 顯示全部樓層
IKEDA 9mono was designed specifically for use in mono and not a modification of the stereo cartridge. Head body is made of solid aluminum alloy layers, to securely hold the generator unit.

Needle holder is made in the form of bilayer duralumin tubes to minimize weight and ruggedness. Chip needle (stylus) has an oval shape that will effectively read information from any mono LPs in any period of their press.

Unlike all conventional mono pickup heads, 9mono has two independent coils - right and left, located separately in the housing so that the electrical circuit is mounted separately. Two low resistance coils have vertical winding. A high efficiency permalloy core generates power only in the horizontal motion. This architecture eliminates extraneous hum noise that can disturb while listening to music.

The design and technical solutions to the cartridge IKEDA 9mono implement the main task - to reveal the hidden nuances in the record and play it with the charm and harmony which it had originally sealed.

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 樓主| 發表於 2019-2-20 16:34:45 | 顯示全部樓層
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The Ikeda 9TS was developed as an entry model with an easy handling and high output by maintaining the superior reproduction and acoustic abilities inherited by the Ikeda 9 series cartridges.

The stylus chip is shaped with an oval design which has been employed on the traditional Ikeda cartridges successively produced, and the cantilever is made of double layered duralumin pipe.

In addition, the body and magnetic yolk etc that are very important components and keystones relating to the sound quality are made with the same architecture as the upper class Ikeda cartridges have.

The Ikeda 9TS will be able to reproduce the powerful analogue-like sound filled with energy by keeping a nice balance ranging from the low to the high frequency.
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 樓主| 發表於 2019-2-27 13:37:51 | 顯示全部樓層
By 1986,  Ikeda Sound Labs founded, specializing in low-compliance moving-coil cartridges and high-mass, transcription-length tonearms.

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Ikeda IT-407 is remarkable for more than just mass: Although its physical design appears solidly smooth and pleasantly unfussy, the arm offers more than usual in the way of setup and adjustment features: spring-actuated dynamic tracking force, which is calibrated and easily set for downforces of up to 5gm; a calibrated and adjustable falling-weight antiskating mechanism; an adjustable lift-lower platform, mated with Ikeda's trademark spherical cueing knob; a beautifully made headshell (of appropriate mass) that's easily adjusted for overhang, offset angle, and, especially, azimuth; and, calibrated for vertical tracking angle (VTA), an arm pillar whose relative height is reasonably easy to adjust.
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 樓主| 發表於 2019-3-14 12:45:11 | 顯示全部樓層
The Ikeda it-407 tone arm is a High Mass design and has been called big, rigid, and beautiful. Built for “dynamic balance,” although it can support a cartridge weight of 6 to 38.5 grams, the stylus pressure ranges from 5 grams to utter weightlessness.

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Perhaps more than most tonearms, the Ikeda IT-407 is one of those hi-fi products that compels its user to just sit back and gaze at the thing: a beautifully rounded construction of polished chrome and stainless steel that appears to be at once both new and old. Isamu Ikeda suggests that its generous curves are "not only for aesthetics: The lack of any sharp edges is employed so that no vibrations or resonances can be stored in the arm."

REVIEWERS QUOTE:
"Things tend to sound like whatever it is they're made of." So said my friend, the artist and erstwhile audio writer Herb Reichert. Regarded in a similar vein, I suppose it's no surprise that the big and somewhat rounded Ikeda IT-407 sounds . . . well, big and somewhat rounded. Those qualities, along with the Ikeda's freedom from harshness and its overall sonic poise and imperturbability, served every record I grabbed.....one can imagine without effort those phonophiles who would prefer the Ikeda: The Japanese arm sounded every bit as beautiful as it looks.
In an upcoming Stereophile Issue, Art Dudley gave the Ikeda IT-407 stellar reviews, stay tuned for the link when it becomes available, but here are some of the highlights.

"Perhaps more than most tonearms, the Ikeda IT-407 is one of those hi-fi products that compels its user to just sit back and gaze at the thing: a beautifully rounded construction of polished chrome and stainless steel that appears to be at once both new and old.”

“Art Dudley, Stereophile, August 2013”
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 樓主| 發表於 2019-4-2 13:43:28 | 顯示全部樓層
The KAI is currently the top model in the range of the Japanese manufacturer.

https://www.audio-activity.com/ikeda-kai-en.html

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 樓主| 發表於 2019-4-16 17:23:54 | 顯示全部樓層
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